Magic in the Moonlight.

                     Magic in the Moonlight.

"The world may or may not be without purpose but it's not totally without some kind of magic."

Whether you're interested in science or logic is there a place in your heart to believe that magic can and does exist? Sophie Baker (Emma Stone The Amazing Spider Man 2012) quotes Nietzsche as saying that we need our illusions to live. Stanley's response is categorical: We can't go round deluding ourselves." More importantly, what about deluding others? "Magic" is regarded as being a lightweight American romantic comedy by Woody Allen. It is not considered one of his finer films although it has been described as being accomplished and worth watching for the two main characters when they are sparring. Imagine chalk and cheese. It's just like that. Insults bounce off each other like a ball constantly hitting a brick wall. Meagre attempts at philosophising which just skirt around the meaning of life and the purpose of existence. Not altogether convincing but entertaining to watch. Stanley is so set in his ways, a stubborn man who always has to be right.

The film attempts to explore illusions, trickery, deception however you want to describe it just like A Midsummer Night’s Dream. Colin Firth (The King's Speech, The Railway Man) plays an obnoxious but world-famous illusionist and the film opens with Wei Ling Soo performing to a Berlin audience in 1928, mesmerised when he makes an elephant vanish into thin air. This is Stanley Crawford, an arrogant, bitter, stuffy, egotistical and priggish man. He patronises the stage hands calling them Neanderthals and Assassins. The conductor is a blithering idiot and for the autograph hunters they are mental defectives. Watching the performance in awe is fellow illusionist and so-called friend, Harold Burkhan (Simon McBurney) who visits Stanley's dressing room to congratulate him. His compliments are double-edged: "A genius with all the charm of a typhus epidemic." Is this a friend speaking?

Howard persuades Stanley to travel to the south of France with him, the Cote d'Azur, to abandon his fiancee Olivia and the promise of a holiday to observe a mystic who is preying on wealthy families like the Catledges. Stanley is notoriously regarded as the "greatest debunker of fake spiritualists" and he is delighted for this invitation to expose this sleezy fraudster.

Visiting Provence also allows him the opportunity to visit Aunt Vanessa (Eileen Atkins), sharp-tongued and full of sarcasm for Stanley who welcomes him with the innuendo of being "boring to the point of perfection." We do learn that Stanley had an unhappy childhood which he compares to a dark cloud that has followed him dogging his life. His life is shallow and meaningless until his beliefs are challenged by Sophie, another lost soul subjected to a poor childhood who has found an opportunity to break free of this poverty trap with her mother to lead a life of luxury with one milksop of a man, Brice Catledge who sees her as the bees' knees! "Sophie sees all, she can predict the future. She's a visionary and a vision." Is she really? Not according to Stanley! He is absolutely besotted with her and serenades her tempting her with a life of luxury: yachts, expensive designer clothes, travel around Europe. The sky's the limit. Sophie is tempted.

Allen's views on atheism come through solidly with Stanley, a bit of a contradiction himself. Acting out of character, he attempts to pray to God for a full recovery for Aunt Vanessa who has had a serious car crash, left in a critical condition. On reflection he rejects God and admits the act of prayer is twaddle. So we are back to where we started with Stanley believing that if God doesn’t exist, Sophie must be a charlatan. Interestingly, both sell illusions but in different ways. And that’s probably where the similarity ends.

They spend time together and Sophie starts to develop some romantic feelings for a man who is unable to feel emotions in a similar way. And yet, he is the one who experiences an epiphany although vulnerable and susceptible to trickery, something he should understand well. His lifelong rationalism and cynicism have been misguided. Is this what he decides? Yes his world is turned upside down but can he come out of the experience a better and wiser person.

“I’m a rational man who believes in a rational world. Any other way lies madness.” Apply his logic. If you believe in magic, if you ever delude yourself you inflict insanity upon yourself? Hopefully not. Allen’s ideals are not water-tight so enjoy the contrived romantic comedy and solve the riddle. How can a match made in heaven ring true for an atheist like Stanley or Allen?

REVIEW it by Carol Naylor.

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