The Hundred Foot Journey.
The Hundred Foot
Journey. Film Review.
"Food
blends cultures and allows us to have just a little peek into someone else's
life. It's about a hundred foot divide between cultures." (Oprah Winfrey)
Hassan
Kadam ( Manish Daval) is the "boy
who knows." Put it another way to give you a clue. "He has it." He has a gift. Okay…The Kadam family flee their hometown
of Mumbai after their restaurant was firebombed by a mob over an election
dispute. Their livelihood is destroyed and tragically, their mama perishes in
the fire. They seek asylum in Europe heading to London for a short while. They
leave England disappointed and head into Rotterdam, gateway to Europe after
Hassan's remark to the Immigration officer that "the vegetables have no soul, no life," in England. So
much for English food. Dismissed like that.
Mama
Kadam had groomed him to replace her. "You
cook to make ghosts. Spirits live on," she had told him.
The
family reach the south of France, travelling by van, not the most roadworthy of
vehicles, five children and papa. The brakes fail whilst driving close to the
edge of the cliffs mid-Pyrenees, with breath-taking scenery. A knight in
shining armour, or in this case, a young and attractive French sous-chef stops
and offers assistance (Charlotte Le Bon). Stubborn papa (Om Puri, East is East
& My Son the Fanatic) spots an abandoned restaurant for sale and seems
determined to buy it against all odds. His children warn him it is unwise
because the restaurant 100 feet opposite is a classy French restaurant called:
Le Saule Pleureur (The Weeping Willow) in a traditionally French region. Who
wants Indian food here?
It
doesn't take long before an imperious and obnoxious Madame Mallory (Helen
Mirren) comes snooping in her arrogant and contemptuous way with the intention
of closing them down. To her refined way of thinking they represent "the death of good taste." She
takes a menu away then makes a shopping sweep of all of the crayfish, salmon
and mushrooms that they need for their opening night. When the Kadams arrive at
the market they leave almost empty-handed having to improvise. Papa is so incensed
he declares war against Mallory.
The
story is based on Richard C. Morais' 2010 book and is directed by Lars Sven
(Lasse) Hallstrom ( Dear John 2010 and
Salmon Fishing in the Yemen 2011).
Two
very different cultures and culinary tastes.
"Indian cannot become French and French cannot become Indian,"
spoken emphatically by papa Kadam. Will they ever be able to get on? Can both
cultures be fused together so that the Maison Mumbai can co-exist alongside Le
Saule Pleureur? Madame Mallory aspires towards gaining a second Michelin star
and then potentially a third. We are told by Marguerite, the sous-chef who
works for her that two stars is amazing but three is only for the Gods! So,
explain why Hassan is instrumental in achieving Mallory's second star after
such fierce rivalry.
Hassan
is certainly a star with his original and innovative approach, but there's a
little bit of romance thrown in for the sentimental measure. Have a heart. "And now the Gods will take him."
Not bad for a lad described by the media as someone who has emerged from the
gutter (caniveau).
Bastille
Day is celebrated by the French and the restaurant is closed. However, Maison
Mumbai remains open. This is seen as sacrilege, highlighting the tension felt
by the French nationals towards the
Indians. Jean-Pierre, the main chef working for Mallory is loyal to
France and unfortunately, racist. "France
for the French." For the second time in their lives, the Kadams find
themselves struggling when their restaurant is firebombed and Hassan attempts
to stop the French men from destroying it. Consequently he is badly burnt and
unable to continue cooking until his hands heal. At this point the climax is
reached and the warring factors call a truce.
Once
the sparring ends we have unexpected romance and dancing to Charles Aznavour's Yesterday
When I Was Young. A new beginning. I suppose the author wanted the characters
and readers alike to gain an understanding of what it's like to be someone
else. It's what Atticus told Scout that you never quite understand a person
until you step into his shoes. Differences create obstacles to friendship and
harmony. Perhaps we should be looking for similarities? In the end, surely it
is compassion that binds us together as a human race. Isn't this what humanity
is all about? Thank Morais for reminding us.
The
two restaurants may be 100 feet apart, with a main road dividing them but the
journey taken by Mallory and the Kadams, mainly Hassan and papa is as the title
implies, hard just like adopting a new culture and repressing your native
culture. If you want a film that makes you feel good with the world, with
differences reaching happy resolutions and a few nice surprises at the end then
you might be as delighted with the film as I was.
REVIEW
it by Carol Naylor.
Copyright 2015. Permission must be obtained from the author before this article review is reproduced.
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