Grace of Monaco.
Grace of Monaco. Film
Review.
"
You came here to play the greatest role of your life. You are the fairytale.
The serenity to which we all aspire. And peace will come when you embrace the
roles you have been destined to play."
The
long-awaited release of this film disappointed critics when it opened the
Cannes Film Festival 2014. It was slated. Peter Bradshaw was kinder when he
referred to it as being wooden. Bad
news for screen writer, Arash Amed and director, Olivier Dahan ("La Vie en
Rose.") In fact savaged is closer to the truth. For me and people like me,
it makes it that more appealing.
The
real-life descendants branded the film a farce criticising it for being "overly dramatic" with "historical errors and little
depth." The controversy surrounds the point of whether it is meant to
be a biopic film and the obvious answer is no.
Hollywood
screen goddess, Grace Kelly was born in 1929 and embarked on an acting career
during the 50s, achieving stardom with "Mogambo"
for which she won a Golden Globe award and an Academy nomination. She
worked with Hitchcock and became a favourite with Cary Grant who snubbed Ingrid
Bergman, opting for Grace who was bestowed with an abundance of serenity of all
things!
Grace
met Prince Rainier in 1955 when she headed the US delegation at the Cannes Film
Festival. A photo session together and then private correspondence and
inevitably a marriage proposal followed shortly afterwards with a high-profile
wedding-in fact two ceremonies, a civil one on 18th April 1956 followed on the
19th with a church ceremony.
The
film shows the footage of this fairytale wedding between a Hollywood movie star
and her Prince. Nicole Kidman was chosen from a number of possible contenders
to play Grace and received mixed reviews whereas Tim Roth who played Rainier
IIIrd received bad reviews. There's nothing wrong with the acting and the film
allows you to experience the glamour and the wealth with panoramic views.
"At
some point every fairytale must end. It's not real love. Real love is
obligation."
The
plot is deliberately simple showing the 60s as a time when Grace's marriage had
reached crisis point. Naively she had expected everyone to fall hopelessly in
love with her and welcomed as the Princess with open arms. Local residents and
government ministers were sceptical about Hollywood stars and constantly the
media picks up on comments such as "She'll
never be one of us." Rainier lacks affection and becomes heavily
involved in politics especially with the crisis that hits Monaco. Charles de
Gaulle has demanded taxation from his protectorate, threatening to invade. He
places an embargo and his warships surround its shores. Nice airport is cut
off.
Hitchcock
approaches a disillusioned and unhappy Grace, offering her the role of the leading
lady in "Marnie." She is
determined to return to Hollywood but Rainier and his ministers are against the
idea and her short-lived acting career comes to an abrupt end.
With
well-needed counselling from Tuck (Father Francis Tucker) played by Frank
Langella and protocol training from Count Fernando D'Ailliere (Sir Derek
Jacobi), Grace embarks on a journey that will establish her as a favourite and
well-loved member of the Grimaldi dynasty for generations to come. Her life is
dedicated to acting out a role in which she supports Rainier, her family and
one of the oldest courts in Europe, the role of a life-time.
Not
plain sailing by any means, there seems to be French spies in the palace
turning people against Grace and Rainier in order to topple the house of
Grimaldi. During the European summit there is an assassination attempt on De
Gaulle and the summit ends in disaster, the crisis unresolved.
The
Red Cross Ball highlights Grace's humanitarian work and her closing speech
receives a standing ovation. Spoken from the heart it talks about love not war
or brutality. A few poetic liberties by the writer include the President's
acceptance to attend the ball. The crowds boo the aggressor and we discover a
soft spot when he succumbs to the charms of the Princess. A nice bit of
fiction.
REVIEW it by Carol Naylor.
Copyright 2014. Permission must be obtained from the author before any of this article review is reproduced.
"A few poetic liberties by the writer " .... unfortunately there were more than a few and certainly more than should be accepted by Hollywood standards for a movie labeled as a biopic. The true story is in the pages of "My Days with Princess Grace of Monaco" by Joan Dale
ReplyDeleteA touch of sarcasm my friend. I know the film was slated just like the Diana film but they weren't biopics were they?
ReplyDelete